Thursday, July 30, 2009

Wild Ocean ***

Every year, in a migration still incompletely understood, millions upon millions of sardines form themselves into shoals of bait for all the sea's predators off the Wild Coast of South Africa. There are millions of Cape Gannets diving from the skys, pods of 3000 dolphins, many species of shark, African Penguins, Cape Fur Seals, and Humpback Whales drawn to the feast. It's a spectacular show captured for the IMAX screen in this wildly-entertaining, beautiful documentary with a terrific score. Recently named the Earthwatch Movie of the Year for 2009, it's a celebration of nature and a rebuke to what we have done to deplete the oceans elsewhere. Take the whole family.

Not rated. 45 minutes. Luke Cresswell - Director / Writer (writer), Steve McNicholas - Director / Writer (writer), Don Kempf - Producer, Steve Kempf - Producer, David Jon Marks - Producer, D.J. Roller - Cinematographer, Reed Smoot - Cinematographer. Produced and distributed by Giant Screen Films.

Sunday, July 26, 2009

(500) Days of Summer ****

Fresh, funny, intelligent, and cleverly constructed, "(500) Days of Summer" tells the story of the 500 day romance between Tom Hansen (Joseph Gordon-Levitt) and Summer Finn (Zooey Deschanel). Make that infatuation of Tom, would-be architect, present day greeting card writer, with Summer, free spirit and assistant to the boss, because the romance, for Summer, was over long before it was for Tom.

Insistently non-linear, the movie gives us moments from the 500 days, all helpfully labeled by day number, in a thematic, dramatic, even didactic, order. It's been said that "500 Days" is a coming-of-age story masquerading as a romantic comedy, and Joseph Gordon-Levitt gives us all the pleasure and pain in another of his standout performances. And its nice to see Zooey Deschanel dating someone her own age. Currently in limited (only 85 theaters) release, it's playing now at the Mayan here in Denver.

Rated PG-13. 95 minutes. Marc Webb - Director, Scott Neustadter - Writer, Michael H. Weber - Writer, Mason Novick - Producer, Jessica Tuchinsky - Producer, Mark Waters - Producer, Steven J. Wolfe - Producer, Eric Steelberg - Cinematographer, Mychael Danna - Composer, Rob Simonsen - Composer, Laura Fox - Production Designer, Alan Edward Bell - Editor. Produced by Watermark and distributed by Fox Searchlight Pictures.

Principal actors: Zooey Deschanel, Joseph Gordon-Levitt, Clark Gregg, Minka Kelly, Rachel Boston, Matthew Gray Gublert, and Chloe Moretz.

Wednesday, July 15, 2009

Harry Potter and the Half-Blood Prince ****

Harry Potter 6 is everything fans have come to expect. With the young characters aging, experiencing the first pangs of infatuation, becoming more independent, and the first death of a main character, the tale moves into a darker and decidedly more adult phase.

Everyone acquits themselves admirably, especially ... the ... deliciously ... clipped ... Alan Rickman as Professor Snape, who in this film confirms our worst fears about him. Jim Broadbent turns in a fine performance as Professor Slughorn, who is key to discovering the history and vital secret of Voldemort. David Yates is back as director, and "The Half-Blood Prince" is just as well-directed as "The Order of the Phoenix."

Special effects are again spectacular, and well worth seeing in IMAX, which opens with an extended sequence in 3D. The budget was reportedly 250 million dollars, two-thirds more than any other Harry Potter, and it looks like money well spent.

Rated PG. 153 minutes. David Yates - Director, Steve Kloves - Writer (screenplay), J.K. Rowling - Writer (novel), David Barron - Producer, David Heyman - Producer, Bruno Delbonnel - Cinematographer, Nicholas Hooper - Composer, Stuart Craig - Production Designer, Mark Day - Editor. Produced and distributed by Warner Bros. Pictures.

Principal actors: Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Michael Gambon, Alan Rickman, Maggie Smith, Julie Walters, David Thewlis, and Jim Broadbent.

Saturday, July 11, 2009

Brüno ***

Sacha Baron Cohen ("Borat") is back, this time as his other famous character, Bruno, gay Austrian fashionista. The fake working title says it all: "Bruno: Delicious Journeys Through America for the Purpose of Making Heterosexual Males Visibly Uncomfortable in the Presence of a Gay Foreigner in a Mesh T-Shirt." As in "Borat," Cohen puts Bruno in real-life situations that provoke unrehearsed, revealing reactions from a variety of ordinary and not so ordinary people. And like Borat, Bruno is totally over the top, shamelessly embodying as many gay stereotypes as he can muster.

The situations feel real, and often make you feel uncomfortable, sometimes in sympathy with the subjects, and sometimes in fear for Bruno's safety. The targets of Bruno's humor are wildly diverse, from real fashionistas to good ol' boy hunters to drunken ultimate fight fans in Arkansas. I found it flat out funny, although maybe not so funny as "Borat," but I suspect some may hate it, and not just the ones, like the middle-aged couple who walked out of the show today (what were they expecting?). I say see it.

Rated R. 83 minutes. Larry Charles - Director, Sacha Baron Cohen - Writer (screenplay) (story) (character) / Producer, Anthony Hines - Writer (screenplay) (story), Dan Mazer - Writer (screenplay) (story) / Producer, Jeff Schaffer - Writer (screenplay), Peter Baynham - Writer (story), Monica Levinson - Producer, Jay Roach - Producer, Anthony Hardwick - Cinematographer, Wolfgang Held - Cinematographer, Erran Baron Cohen - Composer, Dan Butts - Production Designer, Denise Hudson - Production Designer, David Saenz de Maturana - Production Designer, Scott M. Davids - Editor, James Thomas - Editor.

Principal actors: Sacha Baron Cohen, Alice Evans, Trishelle Cannatella, Sandra Seeling, and Ben Youcef.

Sunday, July 5, 2009

Food, Inc. ****

This movie should carry a cautionary label: "Warning: This movie may change the way you eat." "Food, Inc." is a convincing, well-produced, well-organized examination of the industrialization of our food supply, from what were many thousands of farmers fifty years ago into a well-connected and powerful machine now made up of a handful of giant players. One example: Did you know that there are now only 13 beef slaughterhouses in the U.S., down from 25,000 in the '50's, when such work was a ticket to the middle class, like auto factory jobs?

Today these jobs have been reduced to single-operation functions, like the fast food operations pioneered by the McDonald brothers, and often populated by imiigrant and illegal workers actively recruited by the corporations, workers who have no incentive to stand up for their rights or complain about conditions . Corn feed lots have replaced natural grass grazing, with resultant increases in infections, because corn, heavily subsidized by the government, while cheap, is not easily digested by cows which evolved eating grass. And the huge slaughter operations, processing many thousands of animals per day, become agents not just of economy, but of distribution of E-coli.

Why is it cheaper to buy a dollar meal at a fast food operation than to buy vegetables at the market? Why will one in three Americans born after 2000 develop diabetes? Why is 47,000 choices in the average supermarket an illusion? Is there anything we can do to reverse this unhealthy situation? These are all questions examined and answered in this documentary, which features zippy graphics and an unusually good sound track. See it and learn.

Rated PG. 94 minutes. Robert Kenner - Director / Producer, Elise Pearlstein - Producer, Richard Pearce - Cinematographer, Mark Adler - Composer, Kim Roberts - Editor. Produced by Participant Media and River Road Entertainment. Distributed by Magnolia Pictures.

Principal subjects: Michael Pollan, Eric Schlosserhberg, Gary Hirschberg, and Joe Salatin.